Jerome De Groot
Professor of Literature and Culture, English and American Studies, The University of Manchester
author of:
- Consuming History: Historians and Heritage in Contemporary Popular Culture (2004)
- The Historical Novel (2009)
- Remaking History: The Past in Contemporary Historical Fictions (2015)
research interests: Public History, the Historical Novel, Literature and culture of the English Revolution
Mina Gorji
Associate Professor in English and Fellow of Pembroke College, Cambridge
author of:
- John Clare and the Place of Poetry (2009)
- Art of Escape (2020) – winner of the International Award for Womens’ Writing in Italy (Premio di Scrittura femminile)
- Scale (2022) – described in the Irish Times as ‘a book of deep sonic attention’
- “Lyric Listening” (2024)
research interests: Romantic poetry, Poetry and poetics from 1780 to present day, Literary margins and the marginal, Cultural history of listening, Sound studies, Lyric studies
Valerie Purton
Reliving the Past: Mourning in Dickens, Tennyson and Queen Victoria
The Victorians built a culture of mourning. In an age in which industrialisation and scientific discovery pointed excitingly towards the future, the desire to reanimate the past seems never to have been stronger, the central example being Queen Victoria’s forty years of mourning for her husband, Albert, until her own death in 1901. In this lecture I will focus on the function of mourning in two English writers who each bestrode their age like a colossus: Charles Dickens and Alfred, Lord Tennyson. Each experienced a significant bereavement which coloured the rest of their lives and works: Dickens, when his seventeen-year-old sister in-law, Mary Hogarth, died in his arms in 1837; Tennyson, when his beloved friend, Arthur Hallam, died suddenly in Vienna in 1833 at the age of twenty-two. Dickens’s literary response was to fill his novels with repetitions of the figure of ‘The Victorian Heroine – ‘young, beautiful and good’ – from Rose Maylie in Oliver Twist at the beginning of his career to Rosa Bud in The Mystery of Edwin Drood at the end. Tennyson’s was to write perhaps his greatest work, In Memoriam (1850), charting his mourning for Hallam. I shall explore the unexpected complexities in both these responses, concluding that both writers ultimately reveal the need to move beyond the rituals of mourning and embrace the challenges of the future.
Emeritus Professor of Victorian Literature,Anglia Ruskin University, Cambridge, Chair of Tennyson Society and Editor of The Tennyson Research Bulletin
author of:
- Poems by Two Brothers: the Poetry of Tennyson’s father and uncle (1993)
- The Palgrave Literary Dictionary of Tennyson (2011)
- Dickens and the Sentimental Tradition (2012)
editor of:
- Darwin, Tennyson and Their Readers (2014)
- Ruskin and Education (2019)